《盗光者》由八戒电影网提供免费在线播放，《盗光者》导演：阿克坦·阿布德卡雷科夫 ，《盗光者》主要演员：阿克坦·阿布德卡雷科夫 塔莱卡·阿比祖巴 Askat Sulaimanov Asan Amanov Stanbek Toichubaev ，《盗光者》剧情介绍：The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives… In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.巧妙地折射了中国经济“腾飞”后的状况，现代资本渗入游牧社会引发的矛盾。人生中看的第一部吉尔吉斯斯坦电影，柯尔克孜人的乡愁，诗一样的电影。曾在新疆塔县见过柯尔克孜的小孩，和片中的村民感觉有点类似，北亚人的特征还是挺明显的。感官上导演是在用原始的本能去表达家乡的变化，都是一块一块的事件拼接在一起，尽管内在冲突和困惑开宗明义并也贯穿始终且逐渐加强，但戏与戏组合在一起就是缺乏节奏和关系互动不紧密，那种对此类题材必要的关注力始终无法获得。外部世界的涌入让村落文化凋零，财富难以聚集，年轻人纷纷逃离，自尊心被践踏，这是对外的原始抵抗，对内的却是欲望的滋生，邪恶未必只是由外向内灌注进这个安宁的村庄。时代的发展让家长被遗弃，改变意味着毁灭，不改变则是逐渐的凋零。3.5 吉尔吉斯斯坦的电影看的几部感觉都差不多。那里的天空真是明净蔚蓝得让人向往。光先生就是一个抵抗经济霸权主义的悲情小英雄，注定要在GDP的车轮下被无情碾过，这对身负“招商引资”重任、被边缘化的中国小城镇来说也有类似的情形，只不过这次是中国人去别人那撒野。不足是电影有些地方表现不够。电影是场旅行，带我们去未知的国家，了解他们的民生百态，人文历史。看到最后出现一群中国商人，玩起了“解开骆驼”的游戏，我连连摇头，很唏嘘，也只剩唏嘘。